Wednesday, August 5, 2015

Call For Art! - "The Twenty-first Century Body"

“The Twenty-first Century Body”
Exhibition Dates: September 26-November 6, 2015
Venue: Worcester Polytechnic Institute (WPI)
Prizes: $250 for first place, as well as other cash awards
Jurors: Nancy Burns, Joe Farbrook, Galen A. Johnson
Entry Deadline: August 10, 2015
No Entry Fee!

WPI is seeking submissions for a Juried Art Exhibition held in conjunction with the fortieth annual meeting of the International Merleau-Ponty Circle, an interdisciplinary conference on the theme “The Twenty-first Century Body: Thinking Merleau-Ponty In and Out of Time.” They intend an exhibition that collectively depicts what it is to be a body and embodied at the dawn of the twenty-first century while also holding together a diversity of mediums, subject-matters, levels of expertise, artistic technologies, degrees of realism and abstraction, temporalities, and perspectives. Such juxtapositions and multiplicities are encouraged by Merleau-Ponty’s work and speak to the contours and contradictions of life in our own time.

More information and submission guidelines can be found here:

Maurice Merleau-Ponty is a French philosopher who lived from 1908-1961. His theories begin in a desire to do justice to lived, embodied experience in all its ambiguity; our bodies are both objects for others and the locus of our own subjective perceptions, residues of past habits and creative orientations toward the future, radically individual and inescapably intertwined with other bodies and the movement of politics and history. Merleau-Ponty’s oeuvre is interdisciplinary in nature, maintaining that there are multiple ways to approach the same phenomenon and engaging debates across a diversity of fields including philosophy, psychology, biology, politics, literature, and aesthetics. His landmark essays “Cézanne’s Doubt” (1945) and “Eye and Mind” (1961) ground a radical aesthetic theory that builds on the complex relations between perception, bodily experience, and the work of art. 

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